At night they dine with their older brother and do homework. Looks like a simple life which has Looks like a simple life which has nothing to lose, but it has. When news arrives that the mine is collapsed where their old Read all.
Director Mes De Guzman. Mes De Guzman screenplay. Top credits Director Mes De Guzman. See more at IMDbPro. Photos Add photo. Betty has vanquished Colombian corruption and given Germany and Russia something they can agree on. Last Saturday ay isa na ang natanggal sa 22 semi-finalists. Maria, Bulacan. Thirty days sila roon kung saan sasailalim sila sa matinding training under the supervision of their camp master na si Maribeth Bichara.
Meron din silang jazz at ballroom dancing training, makeup lessons with Nina Ricci Alagao at kung anu-ano pa. Nag-pictorial na rin sila at napili na kung sino ang pinaka-photogenic. Ang dinig namin ay tuturuan din sila ng taekwondo ni Monsour del Rosario at ng karate ni Ronnie Ricketts.
Mala-reality show ang drama nila roon at may daily updates sa mga awayan at kadramahan nila sa loob ng training camp. Pagkatapos ng series of elimination, 12 na matitibay at mahuhusay na lang ang matitira sa training camp sa Agosto at paglabas ay magiging mapapalad na EB Babes ng Eat Bulaga! Director of Photography: Dom Dycaico. Production Manager: Nikki Puyat. Assistant Production Manger: Bea Oliveros. Stylists: Paolo Arago and Noelle Pastrano.
Musical Producer: Charlie Coralejo. Gaffer: Edward Logarta. Additional Sound Design: Anton Magno. Production Assistants:. Gracie Vergara. Bianca Francisco. Cheen Rivera. Gio Puyat. Karen Nicolas. Chyna Lo. Tim Ng. Aika Beltran. In a family of two children and a single mother, Sharmaine Melanie Dujunco and her two sons manage to remain strong by depending on each other. Alex Harold Cruz grows into a responsible older brother to Danny John David Baylon who is diagnosed with cancer and is undergoing treatment.
As a result, Alex shuts himself from his family and the world. Unang Araw tells the story of how one family struggles to accept the grim reality of life and death and how they find hope in each other amidst the problems they must face as a family and as individuals. Cacho, Charito G. Mama Carol Lee walks into the room as a spirit out of her body. She wanders around her wake and complains as her children do not follow the traditional Chinese funeral rites.
She gets upset and thinks that her children are taking revenge against her for having been very hard on them. However, the testimonials of her children lead Mama Lee to realize that her children love her after all and that traditional practices suddenly does not seem as important as love of family. Regina Joyce C. Agdon, Micah Celine S. At a young age, Toto perceives his father Mang Canor, a kidney broker, as the modern-day hero of his impoverished community.
For his neighbors, kidney donation has been a typical means of survival. Accordingly, he considers kidney selling, although illegal, as a timely blessing that enables people to obtain their basic needs in life. However, his positive outlook towards his father and what he does for a living changes as a close family friend, Mang Nardo, dies of a complication caused by kidney donation. Upon discovering that his father allowed the operation despite the knowledge that Mang Nardo is physically unfit to undergo the kidney harvest, Toto swears he will never be like Mang Canor.
Libreng Mangarap sheds light in finding what true happiness is for a young boy who at a very young age is abandoned by his father.
With the help of a wish-granting television program, Ikoy Ragsac is a step closer in realizing what he really longs for. A whimsical and comedic claymation about a retired lieutenant colonel who was left living in the institution for the elderly by his family. Inside the institution he undergoes depression. He feels neglected and disregarded since he could no longer do the things he used to be recognized for; saving his nation and his fellow citizens.
His dull and repetitive life in the elderly institution is segued into a life filled with color, action and adventure. Sonja begins her journey to maturity as she enters a dream world where those who roam the day disappear at night and is replaced by their darker counterparts. There, she finds Papi, her once imaginary friend, who helps Sonja to get back to her home and escape the clutches of Hilda, the most feared night-dweller in the land.
There is only one grand prize for each category; no prize shall be divided or reduced. The names of the winners and the members of the Board of Judges for each contest category shall be announced on June 1, All parties submitting entries to the UP Centennial Gawad Likhaan literary contest are deemed to have accepted all the rules of the contest, and agree to abide by them.
Mondays : to p. Wednesdays : to p. Fridays : to p. Saturdays a. Workshop 66 G. Puyat St. Behind Bank of P.
It is in this context that the First Open Dumaguete Biennial Terra Cotta Art Festival Exhibit and Competition in was organized and it is in this same vein that the 2nd Open Dumaguete Biennial Terracotta Art Festival Exhibit and Competition will take off; to consider both the livelihood potential of such a resource, and the importance of this traditional medium as used by artists who seek to find contemporaneity through the natural potential of this medium.
Judged by Dr. May Datuin, Ph. Select faculty members of the Sogetsu Ikebana School of the Philippines will facilitate the workshop. July 21 p. Sogetsu Ikebana can be enjoyed by all, as it is an art that is not too selective of time, venue, or medium. It is also a very practical hobby; it can be used to beautify big or small spaces, at home or at work.
For registration details and inquiries, on the Free Ikebana Workshop in Glorietta, please call , text , or email cruz. The Cuban fim program features the documentary Mission Against Terror, an indictment of the war on terror being unleashed by covert elements from the United States against people's fighting for sovereignty and freedom from terror.
Tuesday's environmental film program, Cinekalikasan sa Cinekatipunan, will feature short works on the Pasig river and the people's right to water by campus-based filmmakers and a video-documentary produced by IBON Foundation. The program is being curated by Afghan-American filmmaker Waise Azimi. The program precedes mag:net's acoustic night at 7 pm, making Wednesday a non-stop night of film and good music.
Kidlat de Guia show his works on Thursday. Nykto will be shown alongside four other selected works by the filmmaker in the eXtermination3. While the film screenings are free, viewers are encouraged to make voluntary contributions for the honoraria of the featured filmmakers. For more inquiries please call or visit www. So were known terrorists at large in Miami monitored by Cuban patriots, who also passed information to US authorities.
Could there have been a mix up? Instead of the terrorists, the anti-terrorists were abducted and locked up. Its use of historic footage and interviews with experts and families of the accused make moving portraits of the Cuban patriots and elusive justice in the US.
Cuban Ambassador H. Jorge Rey Jimenez is also invited to give his remarks. Kilometro Bente Siyete: Industriya sa Basura at Suba 21 mins A student documentary on the effects of toxic heavy metals on the health of the community and the environment along Pasig river.
Water: Life or Profit? Water should be used for meeting people's needs—for their livelihood and for their daily use. But government denies farmers and fisherfolk of water for livelihood in favor of the interests of big private and foreign investors' use of the nation's water resources.
In , Waise Azimi shot a documentary titled: Afghanistan After, about how life has changed two years after the fall of the Taliban. Most recently he is working on the post-production of documentary that covered the training of a young group of Afghan recruits as they struggled through the Afghan National Army's training program at the Kabul Military Training Center.
Waise Azimi has grown up in Manila and loves the city and its people. Originally, a 2-channel video installation for a CCP-exhibit organized by TutoK Karapatan , the work was re-edited for normal screening pleasures.
Perception over fact. Life over death. Shot in Casio Exilim EX still camera, 'astrangiam' meditates on the parallelisms of time, spontaneity, assumptions, dreams and elements of nature. Shot in and re-constructed in Itiwarik: Talu-saling Batas [Invert: The Temperamental Law] 7 min A student piece way back in exorcising and criticizing the relationship between man and society. Is man living up to the decays of society or is he poised to discover that he himself is the destroyer of his path?
Nykto 12 min Emptiness can be an equation of one's search for better beginnings. It seems that one of the basic wonders of life is to enter dark tunnels to be able to separate the hypothetical from the not. A loose adaptation of the poem "Darkness" by Arris Rivera.
His films have been screened in underground film festivals in the United States, Australia, Canada, Singapore and Japan. He has, by far, written, produced and directed 43 shorts he calls them his "little low-budget films". PMSI , is underway. Aside from the competition, Cinemalaya also features an exhibition module and a two-day conference. Tickets for the Congress are Php You would have the chance to interact with noted speakers and panelists from the independent film scene as well as mainstream practitioners, academe and other media personalities.
Attached is the congress schedule for your info. Kindly look for Minda Casagan or email us at film culturalcenter. We hope to see you at the Congress! Thank you very much in advance. Fortunately, the rise of a new group of enlightened film producers as well as the establishment of competitions and festivals for the independent film, such as those of Cinemalaya, Cinema One and Cine Manila, have served to further bolster and promote the achievements of an exciting breed of young filmmakers.
But much work remains to be done. For one, the masterful handling of the new DV technology is a goal that many filmmakers continue to work for. For another, the rapid development of technology related to filmmaking demands vigilance and unflagging attention from filmmakers, who need to be continuously updated about the latest technology and to learn how to use such technology.
In response to these needs, the Cinemalaya Congress intends to focus on the intimate and inextricable relations between technology and art in filmmaking. Five panels composed of film artists, technicians and businessmen will illustrate, articulate and elaborate on these relations and show how technology can indeed be harnessed for artistic expression in the cinema.
Objectives: The Cinemalaya Congress has set the following objectives for its two-day conference: 1. To evaluate the achievements of selected Cinemalaya and films, especially from the point of view of how they have succeeded in using DV technology for artistic expression; 2.
To inform filmmakers about the most recent and most significant developments in film technology, which can widen or strengthen or refine their ability to express themselves as film artists; and 3. To formulate alternative distribution systems for a long- term marketing and distribution of independent films both here and abroad.
It tells the story of two very different teenagers who become best friends, even though neither will admit it. J-Pop star Kyoko Fukada stars as Momoko, a year-old girl so obsessed with everything rococo that she wears old-fashioned frilly white clothing and carries a parasol. Desperate for money, Momoko starts selling the remainder of her father's counterfeit clothing, but her only customer is a tough-talking young biker chick, Ichigo Anna Tsuchiya , who belongs to an all-girl gang.
Their lives exemplify some of the fascinating intricacies of Japanese youth culture in a feel good film with art direction creatively designed to blow your socks off.
The movie garnered critical acclaim and won numerous awards in Japan and abroad. All films in Eiga Sai will be shown with English subtitles. For detailed screening schedules and inquiries on Eiga Sai , please check the Japan Foundation, Manila website: www. College of Fine Arts. Zean Cabangis, as he signs his paintings, works on contradictions and contrasts throughout the painting process in depicting familiar subjects and everyday scenes.
Jonas Eslao, on the hand, incorporates signages and symbols from postcards, mails and other stamped and printed matter to create allegorical imageries. Vicente Pado, Jr. This marks the first time that an artist appears on the short-list twice, with Garcia been recognized for two different exhibitions in the same year.
De la Cruz, Navarroza, Ticar and Vitug were short-listed for the Awards last year, while Valdezco was previously short- listed in The short-list was selected by the Ateneo Art Awards Jury after going through over one hundred nominations. Each artist, a Filipino citizen, 35 years or under by 31 May , was nominated for a solo or group exhibition in any public venue held between 2 May and 1 May From the short-list, the jury deliberated on 20 June to determine the three recipients of the Awards.
It also calls attention to the expansion of the Ateneo Art Gallery Studio Residency Grant, the only program of its kind organized by a Philippine cultural institution. Each residency provides one of the three Ateneo Art Awardees with roundtrip airfare, accommodation and a work studio for three weeks, an allowance, as well as an invitation to exhibit at their respective host venues.
The focus of the Kodak Filmschool Competition is on the film's cinematography and the innovative use of available resources to create the images that complement the story. Cinematography that best serves the story The Kodak Filmschool Competition will be conducted in various participating countries in Asia Pacific and Latin America.
The winning film from each National Competition will then be judged at a regional level to select the overall competition winner. Each entry must be submitted by the cinematographer.
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